Babygirl
Accessibility
This is an accessibility screening, restrictions may apply..
Accessibility Screening Times
This is an accessibility screening, restrictions may apply..
The Power Station screenings are located on 3rd Floor, Turbine Hall B, Battersea Power Station
The Arches screenings are located on 22 Arches Lane, Circus West Village, Battersea Power Station
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In The Power Station
These screenings are located on 3rd Floor, Turbine Hall B, Battersea Power Station
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In The Arches
These screenings are located on 22 Arches Lane, Circus West Village, Battersea Power Station
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If you would like to know when our new screenings arrive at the box office, please subscribe to our newsletter for weekly emails.
Please check back soon for Screening Times.
If you would like to know when our new screenings arrive at the box office, please subscribe to our newsletter for weekly emails.
Info
A high-powered CEO puts her career and family on the line when she begins a torrid affair with her much younger intern.
Starring: Antonio Banderas, Nicole Kidman, Harris Dickinson
Director: Halina Reijn
Writer: Halina Reijn
Running Time: 114 minutes
Certificate: 18
Language: English
Genre: Drama
Country: Netherlands, United States
Golden Globe Nominee for Best Female Actor in a Drama
“Kidman is ferociously good, convincing utterly as this formerly level-headed careerist whose deeply buried, long-denied appetites are simultaneously proving her making and downfall.”
★★★★★ Robbie Collin, Daily Telegraph
“Reijn's raw, jagged, indie-style film has all the scenes you would expect if Babygirl were a standard Hollywood neo-noir thriller but each time Reijn explores the undignified reality behind the glamour.”
★★★★ Nicholas Barber, BBC.com
“A deliciously barbed, but wise and ultimately hopeful investigation of female sexual desire, marriage and modern power dynamics.”
★★★★ Philip De Semlyen, Time Out
“Many of us wondered whether the erotic thriller was even still viable in the moral minefield of 2024. Babygirl proves that the form may have matured, but it still has some moves.”
★★★★ Raphael Abraham, Financial Times